Chico Buarque，看網路上的介紹，不僅僅是歌手，更是作家與社會運動者。在優美的旋律中，往往負含著他對巴西獨裁政府的批判。
可惜的是，聽不懂他的歌詞；僅就歌聲與歌曲來看的話，蠻合我的胃口的。不過，對於巴西音樂接觸太少，聽起來好像都很悅耳。那也不會怎樣，好聽就好聽，不必特地去挑出難聽的。
以下附上AMG的介紹：
Chico Buarque's tenth LP, released in 1976, in its CD reissue. The album hasMilton Nascimento delivering the vocals to the important "O Que Será," later recorded by Nascimento and many other interpreters. "Mulheres de Atenas," from Augusto Boal's play +Lisa, a Mulher Libertadora, is a delicate canção with a feminine theme. "Olhos Nos Olhos" is a deeply heartfelt song about the end of a love affair. "Vai Trabalhar, Vagabundo," from Hugo Carvana's homonymous film, is a lively samba talking about oppression and massification. "Corrente" is a very interesting semiological experience, where each sequence of verses can be followed with no specific order. "A Noiva da Cidade," a lyrical and tender samba-canção, was taken from Alex Vianni's same-named film. From the same film is the ecological "Passaredo," while the dramatic "Basta Um Dia" is from the play +Gota D'água, by Chico Buarque/Paulo Pontes. "Meu Caro Amigo" is another song that became a hit from this album, a beautiful traditional choro with a samba-influenced melody. ~ Alvaro Neder, All Music Guide
